La Niña De Los Peines - La Edad De Oro Del Flamenco - Vol. IV Album

Tracklist
1 | El Corazon De Pena Tengo TraspasaoFlamenco Guitar – Melchor De MarchenaWritten By – Torres, Montes y Casado | 2:57 |
2 | Compañera De Mi AlmaFlamenco Guitar – Melchor De MarchenaWritten By – Callejón, Torres y Casado | 2:35 |
3 | Que Te Queria Yo, No Lo NiegoFlamenco Guitar – Manolo de Badajoz | 3:00 |
4 | Se Te Logro El GustoFlamenco Guitar – Melchor De Marchena | 2:55 |
5 | Por Los Balcones Del CieloFlamenco Guitar – Melchor De MarchenaWritten By – Callejón, Torres y Casado | 2:35 |
6 | Esquilones De PlataFlamenco Guitar – Melchor De MarchenaLyrics By – Federico García Lorca | 2:55 |
7 | De Mi Moreno El CariñoFlamenco Guitar – Melchor De MarchenaWritten By – Callejón, Torres y Casado | 2:55 |
8 | No Te He Dao MotivoFlamenco Guitar – Manolo de Badajoz | 3:00 |
9 | Entre Sabanas De Holanda / Eres Palmera Y Yo Datil / Alla Arribita / Eres Una Y Eres DosFlamenco Guitar – Melchor De MarchenaWritten By – Edurado Durán "El Gitano Poeta" | 2:50 |
10 | De Color De Cera, MareFlamenco Guitar – Melchor De MarchenaWritten By – Callejón, Torres y Casado | 2:45 |
11 | Que Tu PalmitoFlamenco Guitar – Paquito SimónWritten By – Torres, Montes y Casado | 1:46 |
12 | Cai Es Una Poblacion / Segun Unos Amigos Mios / Habra Frejoles Pegaos / Se Que Tienes Buen PeloFlamenco Guitar – Melchor De MarchenaWritten By – Callejón, Torres y Casado | 3:00 |
Barcodes
- Depósito Legal: B. 42.427-1971
Album
IV FLAC album RAR archive. La Niña De Los Peines - La Edad De Oro Del Flamenco - Vol. IV WMA album RAR archive. Flamenco Guitar Melchor De MarchenaWritten By Callejón, Torres y Casado. El Corazon De Pena Tengo Traspasao. Flamenco Guitar Melchor De MarchenaWritten By Torres, Montes y Casado. No Te He Dao Motivo. Flamenco Guitar Manolo de Badajoz. Que Te Queria Yo, No Lo Niego. Pastora Pavón Cruz, known as La Niña de los Peines Seville, Spain, 10 February 1890 26 November 1969, is considered the most important woman flamenco singer of the 20th century. She was a sister of singers Arturo Pavón and Tomás Pavón, also an important flamenco singer, and aunt to Arturo Pavón, the first flamenco pianist. Both brothers, Pastora and Tomás, together with singer Manuel Torre, were the inspiring models for the next generation of singers like Antonio Mairena, Pepe de la Matrona or. De color de cera, mare Tangos ligeros 03. De mi moreno el cariño Bulerías de la Alameda 04. Se te logro el gusto Seguriya 05. Por los balcones del cielo Fiestas de Navidad 06. Compañera de mi alma Soleares marcheneras. Additional Information. Niña de los Peines - La edad de oro del flamenco Vol 4 Vinilo LP. Niña de los Peines. La edad de oro del flamenco Vol 4. Cante: Niña de los Peines Guitarra: Melchor de Marchena, Manolo de Badajoz, Paquito Simón. Приобретайте пластинки, компакт-диски и многое другое от La Niña De Los Peines на маркетплейсе ÑA DE LOS PEINES La Edad De Oro Del Flamenco Vol. IV 1970 Spanish 12-track LP, also featuring Melchor De Marchena on Guitar, front laminted flipback picture sleeve. The unlmainated back shows a little dicolouration . la niña de los peines 1. niña de los peines 1. Album 2011 23 Songs. Grabaciones Discos Pizarra: La Niña de los Peines y Manuel Vallejo. The Best Of Flamenco. Vintage Flamenco Cante Nº33 - EPs Collectors. 60 million songs. Palabras Y Poesia Dedicada a La Nina De Los Peines Por D. Rafael Belmonte. Malaguena Estilo Chacon. Canta La Nina De Los Peines. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Copa Pavón Y Llave De Oro Del Cante. Manuel Vallejo. 285 listeners. Pastora Pavón Cruz, known as La Niña de los Peines Seville, Spain, February 10, 1890 - November 26, 1969, is considered the most important woman flamenco singer of the 20th century. After this period, La Niña de los Peines moved to Jerez de la Frontera, and here she was contracted to work at the Bar La Primera. It was also during this period that she recorded her first record for the Zonophone label, at the age of just twenty and from here on she went from strength to strength. She became one of the biggest and most sought after flamenco singers of the period appearing at the best theatres with artistes like Antonio Chacon and Manuel Torre. She was soon to receive the pseudonym of La Reina de la